Weaving code, performing time, arranging silence, design for all the projects I never did and for a society that moves beyond gender..what if, and why not 

Half Greek, half Italian
Craft and design. Hybrid technologies. Queering up design.
The challenge is to find and explore possible connections. In a closer look, there is a thread that links all of my works, in not necessarily a progressive line. In that, social and political cannot be excluded in the description of many of my works.

I believe that our role as designers is to apply design thinking in every possible aspect of human -and non human- activity, but mostly, provide a so called creative exit (as Gregory Bateson would say) of which the world today is in desperate need.

Central Saint Martins graduate from Design and Interaction pathway. Background in Cultural Anthropology.

︎Decriminalize The Ornament: The Pleasures of PatternCambridge, UK, November 2018︎Corrrective, a collectiveexhibitionLethaby Gallery, London, UK Nov 2018 - Jan 2019︎Creative Unions / London Design Festival, Lethaby Gallery, London UK, 15 Sept- 27 Oct 2018︎MAKE, Lethaby Gallery, London, UK, 21-24 July 2018︎Poster Parade, Transport London Museum, UK, May-Sept 2018︎Nasty Women North East, Newcastle, UK, Praxis Gallery ︎Degree Show 2: Design, Central Saint Martins, London, UK, 19-24 June 2018︎I Don’t Know Her Work But I Know Her Name, Window Gallery, CSM, London, UK, December 2017 - January 2018︎The Molecular Project 2: Artists in Wonderland, Greece, August 2010︎The Molecular Project 1: Sinestesia, Greece, August 2009