Weaving code, performing time, arranging silence, design for all the projects I never did and for a society that moves beyond gender..what if, and why not
Half Greek, half Italian
Craft and design. Hybrid technologies. Queering up design.
The challenge is to find and explore possible connections. In a closer look, there is a thread that links all of my works, in not necessarily a progressive line. In that, social and political cannot be excluded in the description of many of my works.
I believe that our role as designers is to apply design thinking in every possible aspect of human -and non human- activity, but mostly, provide a so called creative exit (as Gregory Bateson would say) of which the world today is in desperate need.
Central Saint Martins graduate from Design and Interaction pathway. Background in Cultural Anthropology.
︎Decriminalize The Ornament: The Pleasures of PatternCambridge, UK, November 2018︎Corrrective, a collectiveexhibitionLethaby Gallery, London, UK Nov 2018 - Jan 2019︎Creative Unions / London Design Festival, Lethaby Gallery, London UK, 15 Sept- 27 Oct 2018︎MAKE, Lethaby Gallery, London, UK, 21-24 July 2018︎Poster Parade, Transport London Museum, UK, May-Sept 2018︎Nasty Women North East, Newcastle, UK, Praxis Gallery ︎Degree Show 2: Design, Central Saint Martins, London, UK, 19-24 June 2018︎I Don’t Know Her Work But I Know Her Name, Window Gallery, CSM, London, UK, December 2017 - January 2018︎The Molecular Project 2: Artists in Wonderland, Greece, August 2010︎The Molecular Project 1: Sinestesia, Greece, August 2009